{"metadata":[{"label":{"en":["Publisher"],"pl":["Wydawca"]},"value":{"en":["Instytut Studiów Klasycznych, Śródziemnomorskich i Orientalnych Uniwersytetu Wrocławskiego"],"pl":["Instytut Studiów Klasycznych, Śródziemnomorskich i Orientalnych Uniwersytetu Wrocławskiego"],"universal":["Instytut Studiów Klasycznych, Śródziemnomorskich i Orientalnych Uniwersytetu Wrocławskiego"]}},{"label":{"en":["Subject and Keywords"],"pl":["Temat i słowa kluczowe"]},"value":{"en":["Plautus","Terence","Roman comedy","dramatic 'time'"],"pl":["Plaut","Terencjusz","komedia rzymska","'czas' dramatyczny"]}},{"label":{"en":["Identifier"],"pl":["Identyfikator"]},"value":{"en":["ISSN 0239-6661"],"pl":["ISSN 0239-6661"],"universal":["ISSN 0239-6661"]}},{"label":{"en":["Format"],"pl":["Format"]},"value":{"en":["application/pdf"],"pl":["application/pdf"],"universal":["application/pdf"]}},{"label":{"en":["Resource Type"],"pl":["Typ zasobu"]},"value":{"en":["text"],"pl":["tekst"]}},{"label":{"en":["Rights holder"],"pl":["Właściciel praw"]},"value":{"en":["Copyright by Ewa Skwara"],"pl":["Copyright by Ewa Skwara"],"universal":["Copyright by Ewa Skwara"]}},{"label":{"en":["Language"],"pl":["Język"]},"value":{"en":["pol"],"pl":["pol"],"universal":["pol"]}},{"label":{"en":["PLMET"],"pl":["PLMET"]},"value":{"en":["https://docs.psnc.pl/spaces/FBCMETGUIDE/overview"],"pl":["https://docs.psnc.pl/spaces/FBCMETGUIDE/overview"],"universal":["https://docs.psnc.pl/spaces/FBCMETGUIDE/overview"]}},{"label":{"en":["Resource Type"],"pl":["Typ zasobu źródłowego"]},"value":{"pl":["Czasopismo"]}},{"label":{"en":["Resource Title"],"pl":["Tytuł źródłowy"]},"value":{"pl":["Wratislaviensium Studia Classica"]}},{"label":{"en":["Date issued"],"pl":["Data wydania"]},"value":{"en":["2015"],"pl":["2015"],"universal":["2015"]}},{"label":{"en":["Volume"],"pl":["Tom/Rocznik"]},"value":{"en":["IV (XXXV)"],"pl":["IV (XXXV)"],"universal":["IV (XXXV)"]}},{"label":{"en":["Related Identifier Type"],"pl":["Typ identyfikatora"]},"value":{"en":["ISSN"],"pl":["ISSN"],"universal":["ISSN"]}},{"label":{"en":["Related Identifier"],"pl":["Powiązany identyfikator"]},"value":{"en":["ISSN: 2449-6901"],"pl":["ISSN: 2449-6901"],"universal":["ISSN: 2449-6901"]}},{"label":{"en":["Creator"],"pl":["Twórca"]},"value":{"pl":["Skwara, Ewa"]}},{"label":{"en":["Title"],"pl":["Tytuł"]},"value":{"pl":["Czas na komediowej scenie (Ter. An., Ht., Ph.)"]}},{"label":{"en":["LastPage"],"pl":["Ostatnia strona"]},"value":{"en":["259"],"pl":["259"],"universal":["259"]}},{"label":{"en":["First Page"],"pl":["Pierwsza strona"]},"value":{"en":["249"],"pl":["249"],"universal":["249"]}},{"label":{"en":["License"],"pl":["Licencja"]},"value":{"en":["Making materials available on the basis of the agreement with the owner of the property copyrights"],"pl":["Udostępnianie na podstawie umowy z właścicielem majątkowych praw autorskich"]}},{"label":{"en":["Access rights"],"pl":["Prawa dostępu"]},"value":{"en":["The use of this material is allowed only with accordance of applicable rules of fair use or other exceptions provided by law, and any broader use requires the permission of the authorized entity"],"pl":["Korzystanie z tego materiału jest możliwe zgodnie z właściwymi przepisami o dozwolonym użytku lub innych wyjątkach przewidzianych w przepisach prawa, a korzystanie w szerszym zakresie wymaga uzyskania zgody uprawnionego"]}},{"label":{"en":["Alternative title"],"pl":["Tytuł odmienny"]},"value":{"en":["Time for a comic scene (Ter. An., Ht., Ph.)"]}},{"label":{"en":["Abstract"],"pl":["Abstrakt"]},"value":{"en":["This article presents the methods used by Terence to control theatrical time, which is not identical to astronomical time (that is the actual time of the presentation). Most frequently, the comic poet strives to compress scenic time in order to accommodate events lasting a hole day within the span of a spectacle lasting 2-3 hours. To this end the poet above all avoids repetitions, and if certain information has to be forwarded to the next character, then this happens off-stage. Furthermore, the play is acted out simultaneously in two threads \u2013 one act being staged before the audience, and the other off-stage, which the audience does not actually view but is only informed of. The comic poet also shapes the speed at which events take place \u2013 most often speeding things up. He makes use of what was then a theatrical convention, which was based on the idea that time off-stage passes more quickly (characters who say they are going to the forum return from there within a few minutes). Only occasionally is the tempo of the comedy released (when the overly quick movement of a character would undermine the probability of events). These techniques have on the one hand the aim of using time economically, and on the other of making the action more gripping."]}},{"label":{"en":["wwwDescription"],"pl":["Opis www"]},"value":{"pl":["Charisteria Aliciae Szastyńska-Siemion octogenariae oblata ab amicis, collegis, discipulis"]}},{"label":{"en":["Detailed Type"],"pl":["Szczegółowy typ zasobu"]},"value":{"en":["article"],"pl":["artykuł"]}},{"label":{"en":["Abstract Language "],"pl":["Język streszczenia"]},"value":{"en":["eng"],"pl":["eng"],"universal":["eng"]}}],"id":"https://repozytorium.uni.wroc.pl/manifest","label":{"pl":["Czas na komediowej scenie (Ter. 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