{"metadata":[{"label":{"en":["License"],"pl":["Licencja"]},"value":{"en":["Creative Commons - Attribution, ShareAlike (CC BY-SA 3.0)","https://creativecommons.org/licenses/by-sa/3.0/pl/deed.en"],"pl":["Creative Commons - Uznanie autorstwa, Na tych samych warunkach (CC BY-SA 3.0)","https://creativecommons.org/licenses/by-sa/3.0/pl/deed.pl"]}},{"label":{"en":["Access rights"],"pl":["Prawa dostępu"]},"value":{"en":["Attribution, ShareAlike"],"pl":["Uznanie autorstwa, Na tych samych warunkach"]}},{"label":{"en":["Description"],"pl":["Opis"]},"value":{}},{"label":{"en":["Subject and Keywords"],"pl":["Temat i słowa kluczowe"]},"value":{"en":["poetry in the Anthropocene","contaminated landscape","Atlantis","Ark"],"pl":["Kampmann, Anja"]}},{"label":{"en":["Identifier"],"pl":["Identyfikator"]},"value":{"en":["e-ISSN 2353-3218","ISSN 2299-7164"],"pl":["e-ISSN 2353-3218","ISSN 2299-7164"],"universal":["e-ISSN 2353-3218","ISSN 2299-7164"]}},{"label":{"en":["Resource Type"],"pl":["Typ zasobu"]},"value":{"en":["text"],"pl":["tekst"]}},{"label":{"en":["Autor opisu"],"pl":["Autor opisu"]},"value":{"pl":["MPi"]}},{"label":{"en":["Language"],"pl":["Język"]},"value":{"en":["eng"],"pl":["eng"],"universal":["eng"]}},{"label":{"en":["PLMET"],"pl":["PLMET"]},"value":{"en":["https://docs.psnc.pl/spaces/FBCMETGUIDE/overview"],"pl":["https://docs.psnc.pl/spaces/FBCMETGUIDE/overview"],"universal":["https://docs.psnc.pl/spaces/FBCMETGUIDE/overview"]}},{"label":{"en":["Group publication title"],"pl":["Tytuł publikacji grupowej"]},"value":{"en":["Academic Journal of Modern Philology"]}},{"label":{"en":["Location of original object"],"pl":["Lokalizacja oryginału"]},"value":{"en":["College for Interdisciplinary Studies, University of Wrocław"],"pl":["Kolegium Międzydziedzinowych Studiów Indywidualnych, Uniwersytet Wrocławski"]}},{"label":{"en":["Abstract"],"pl":["Abstrakt"]},"value":{"en":["The article examines how the three classically intended timelines (past, present, future) merge into the images of various landscapes (e.g. contaminated landscapes, scenarios of remnants), profoundly modified by human action and will. This subject matter will be addressed through the literary analysis, grounded on ecopoetic and ecocritical theory, of a selection of poems recently published within the collection der hund ist immer hungrig (2021) by a German writer and poet, Anja Kampmann."]}},{"label":{"en":["Place of publishing"],"pl":["Miejsce wydania"]},"value":{"en":["Wrocław"],"pl":["Wrocław"],"universal":["Wrocław"]}},{"label":{"en":["Date issued"],"pl":["Data wydania"]},"value":{"en":["2024"],"pl":["2024"],"universal":["2024"]}},{"label":{"en":["Detailed Type"],"pl":["Szczegółowy typ zasobu"]},"value":{"en":["article"],"pl":["artykuł"]}},{"label":{"en":["Abstract Language "],"pl":["Język streszczenia"]},"value":{"en":["eng"],"pl":["eng"],"universal":["eng"]}},{"label":{"en":["Creator"],"pl":["Twórca"]},"value":{"pl":["Sapienza, Serena"]}},{"label":{"en":["Title"],"pl":["Tytuł"]},"value":{"en":["Atlantis from the Anthropocene: Anja Kampmann\u2019s Poems in der hund ist immer hungrig"]}}],"id":"https://repozytorium.uni.wroc.pl/manifest","label":{"en":["Atlantis from the Anthropocene: Anja Kampmann\u2019s Poems in der hund ist immer hungrig"]},"type":"Manifest","@context":"http://iiif.io/api/presentation/3/context.json","items":[{"width":1600,"id":"https://repozytorium.uni.wroc.pl/canvas/page1","label":{"@none":["PDF/23_Sapienza.pdf"]},"type":"Canvas","items":[{"id":"https://repozytorium.uni.wroc.pl/annotation/page1","type":"AnnotationPage","items":[{"motivation":"painting","id":"https://repozytorium.uni.wroc.pl/annotation/page1/1","type":"Annotation","body":{"format":"application/pdf","id":"https://repozytorium.uni.wroc.pl/Content/141523/PDF/23_Sapienza.pdf","label":{"@none":["PDF/23_Sapienza.pdf"]},"type":"Text"},"target":"https://repozytorium.uni.wroc.pl/annotation/page1"}]}],"height":1200}]}