{"metadata":[{"label":{"en":["Access rights"],"pl":["Prawa dostępu"]},"value":{"en":["Attribution, ShareAlike"],"pl":["Uznanie autorstwa, Na tych samych warunkach"]}},{"label":{"en":["License"],"pl":["Licencja"]},"value":{"en":["Creative Commons - Attribution, ShareAlike (CC BY-SA 3.0)","https://creativecommons.org/licenses/by-sa/3.0/pl/deed.en"],"pl":["Creative Commons - Uznanie autorstwa, Na tych samych warunkach (CC BY-SA 3.0)","https://creativecommons.org/licenses/by-sa/3.0/pl/deed.pl"]}},{"label":{"en":["Affiliation"],"pl":["Afiliacja"]},"value":{"pl":["Matlochová, Ewa : Uniwersytet Wrocławski"]}},{"label":{"en":["Autor opisu"],"pl":["Autor opisu"]},"value":{"pl":["MPi"]}},{"label":{"en":["Abstract Language "],"pl":["Język streszczenia"]},"value":{"en":["eng"],"pl":["eng"],"universal":["eng"]}},{"label":{"en":["Detailed Type"],"pl":["Szczegółowy typ zasobu"]},"value":{"en":["article"],"pl":["artykuł"]}},{"label":{"en":["PLMET"],"pl":["PLMET"]},"value":{"en":["https://docs.psnc.pl/spaces/FBCMETGUIDE/overview"],"pl":["https://docs.psnc.pl/spaces/FBCMETGUIDE/overview"],"universal":["https://docs.psnc.pl/spaces/FBCMETGUIDE/overview"]}},{"label":{"en":["Group publication title"],"pl":["Tytuł publikacji grupowej"]},"value":{"en":["Academic Journal of Modern Philology"]}},{"label":{"en":["Place of publishing"],"pl":["Miejsce wydania"]},"value":{"en":["Wrocław"],"pl":["Wrocław"],"universal":["Wrocław"]}},{"label":{"en":["Identifier"],"pl":["Identyfikator"]},"value":{}},{"label":{"en":["Language"],"pl":["Język"]},"value":{"en":["eng"],"pl":["eng"],"universal":["eng"]}},{"label":{"en":["Location of original object"],"pl":["Lokalizacja oryginału"]},"value":{"en":["College for Interdisciplinary Studies, University of Wrocław"],"pl":["Kolegium Międzydziedzinowych Studiów Indywidualnych, Uniwersytet Wrocławski"]}},{"label":{"en":["Creator"],"pl":["Twórca"]},"value":{"pl":["Matkowska, Ewa"]}},{"label":{"en":["Subject and Keywords"],"pl":["Temat i słowa kluczowe"]},"value":{"en":["artist\u2019 novel","Künstlerroman","German literature","Italian Journey","Italy","Rome","palimpsest"],"pl":["Ortheil, Hanns-Josef","Zaimoglu, Feridun","Mosebach,Martin"]}},{"label":{"en":["Description"],"pl":["Opis"]},"value":{}},{"label":{"en":["Resource Type"],"pl":["Typ zasobu"]},"value":{"en":["text"],"pl":["tekst"]}},{"label":{"en":["Resource Type"],"pl":["Typ zasobu źródłowego"]},"value":{"pl":["Czasopismo"]}},{"label":{"en":["Related Identifier"],"pl":["Powiązany identyfikator"]},"value":{"en":["ISSN: 2299\u20137164"],"pl":["ISSN: 2299\u20137164"],"universal":["ISSN: 2299\u20137164"]}},{"label":{"en":["Related Identifier Type"],"pl":["Typ identyfikatora"]},"value":{"en":["ISSN"],"pl":["ISSN"],"universal":["ISSN"]}},{"label":{"en":["Volume"],"pl":["Tom/Rocznik"]},"value":{"en":["22"],"pl":["22"],"universal":["22"]}},{"label":{"en":["First Page"],"pl":["Pierwsza strona"]},"value":{"en":["265"],"pl":["265"],"universal":["265"]}},{"label":{"en":["LastPage"],"pl":["Ostatnia strona"]},"value":{"en":["276"],"pl":["276"],"universal":["276"]}},{"label":{"en":["Title"],"pl":["Tytuł"]},"value":{"en":["Topos and Topography of Italy in Contemporary German Artist\u2019s Prose"]}},{"label":{"en":["Resource Title"],"pl":["Tytuł źródłowy"]},"value":{"en":["Academic Journal of Modern Philology"]}},{"label":{"en":["Date issued"],"pl":["Data wydania"]},"value":{"en":["2024"],"pl":["2024"],"universal":["2024"]}},{"label":{"en":["Abstract"],"pl":["Abstrakt"]},"value":{"en":["The article deliberates upon the relationship of artistic creativity and the topos and topography of Italy in German literature in the decades around 2000. Italy is continuously one of the most important references in artist\u2019s texts. The writers create characters that enter a dialogue with the multi-layer European cultural space represented by \u201cthe Italian narratives\u201d. The paper deals with the traditional dichotomy of the topos: North \u2013 South, light \u2013 darkness, ancient culture \u2013 Christian culture, life \u2013 death, sensuality \u2013 spirituality, nature \u2013 culture and civilization. The specifics of the connection between artistic creativity and the Italy topos are examined on the basis of three examples: Hanns-Josef Ortheil Rom, Villa Massimo (2015), Feridun Zaimoglu Rom intensiv (2007) and Martin Mosebach Die schöne Gewohnheit zu leben \u2013 eine italienische Reise (1997). The analysis focuses on the palimpsests of space, time and text. It is characteristic that the figures move in a topically charged area of Italy and examine their aesthetic points of view. The character construction goes back to the model of a Flâneur, wanderer and traveller who \u2013 in contrast to previous epochs \u2013 is equipped with communication technologies that enable him to create his own trans-medial message."]}}],"id":"https://repozytorium.uni.wroc.pl/manifest","label":{"en":["Topos and Topography of Italy in Contemporary German Artist\u2019s Prose"]},"type":"Manifest","@context":"http://iiif.io/api/presentation/3/context.json","items":[{"width":1600,"id":"https://repozytorium.uni.wroc.pl/canvas/page1","label":{"@none":["PDF/18_Matkowska.pdf"]},"type":"Canvas","items":[{"id":"https://repozytorium.uni.wroc.pl/annotation/page1","type":"AnnotationPage","items":[{"motivation":"painting","id":"https://repozytorium.uni.wroc.pl/annotation/page1/1","type":"Annotation","body":{"format":"application/pdf","id":"https://repozytorium.uni.wroc.pl/Content/141518/PDF/18_Matkowska.pdf","label":{"@none":["PDF/18_Matkowska.pdf"]},"type":"Text"},"target":"https://repozytorium.uni.wroc.pl/annotation/page1"}]}],"height":1200}]}