{"metadata":[{"label":{"en":["Access rights"],"fr":["Access rights"],"pl":["Prawa dostępu"]},"value":{"en":["Attribution, ShareAlike"],"pl":["Uznanie autorstwa, Na tych samych warunkach"]}},{"label":{"en":["Autor opisu"],"fr":["Autor opisu"],"pl":["Autor opisu"]},"value":{"pl":["MPi"]}},{"label":{"en":["License"],"fr":["License"],"pl":["Licencja"]},"value":{"en":["Creative Commons - Attribution, ShareAlike (CC BY-SA 3.0)","https://creativecommons.org/licenses/by-sa/3.0/pl/deed.en"],"pl":["Creative Commons - Uznanie autorstwa, Na tych samych warunkach (CC BY-SA 3.0)","https://creativecommons.org/licenses/by-sa/3.0/pl/deed.pl"]}},{"label":{"en":["Abstract"],"fr":["Abstract"],"pl":["Abstrakt"]},"value":{"en":["In the last 30 years there has been an increased interest among researchers in the problem of self-translation, particularly in the context of novel translation. The aim of the following paper is to present the challenges of self-translation in a context of dramatic texts. The corpus of analysis for this article will be three plays written by bilingual artists who are rooted in Western Canadian provinces \u2013 Saskatchewan and Manitoba. The analysis of the fragments of the originals compared with the self-translated versions of the plays: \"La Trahison/The Betrayal\" by Laurier Gareau (2004) \"La Maculée/sTain\" by Madeleine Blais-Dahlem (2012) and Marc Prescott's \"Fort Mac\" (2009) will allow us to determine the characteristics of self-translation of each of these \"privileged translators\"."]}},{"label":{"en":["Related Identifier Type"],"fr":["Related Identifier Type"],"pl":["Typ identyfikatora"]},"value":{"en":["ISSN"],"fr":["ISSN"],"pl":["ISSN"],"universal":["ISSN"]}},{"label":{"en":["Related Identifier"],"fr":["Related Identifier"],"pl":["Powiązany identyfikator"]},"value":{"en":["ISSN: 2299\u20137164"],"fr":["ISSN: 2299\u20137164"],"pl":["ISSN: 2299\u20137164"],"universal":["ISSN: 2299\u20137164"]}},{"label":{"en":["Resource Type"],"fr":["Resource Type"],"pl":["Typ zasobu źródłowego"]},"value":{"pl":["Czasopismo"]}},{"label":{"en":["Resource Title"],"fr":["Resource Title"],"pl":["Tytuł źródłowy"]},"value":{"en":["Academic Journal of Modern Philology"]}},{"label":{"en":["Date issued"],"fr":["Date issued"],"pl":["Data wydania"]},"value":{"en":["2023"],"fr":["2023"],"pl":["2023"],"universal":["2023"]}},{"label":{"en":["LastPage"],"fr":["LastPage"],"pl":["Ostatnia strona"]},"value":{"en":["36"],"fr":["36"],"pl":["36"],"universal":["36"]}},{"label":{"en":["First Page"],"fr":["First Page"],"pl":["Pierwsza strona"]},"value":{"en":["27"],"fr":["27"],"pl":["27"],"universal":["27"]}},{"label":{"en":["Volume"],"fr":["Volume"],"pl":["Tom/Rocznik"]},"value":{"en":["20"],"fr":["20"],"pl":["20"],"universal":["20"]}},{"label":{"en":["Description"],"pl":["Opis"]},"value":{}},{"label":{"en":["Subject and Keywords"],"pl":["Temat i słowa kluczowe"]},"value":{"en":["self-translation","translation of drama","bilingualism","French Canadian literature","orality in translation"]}},{"label":{"en":["Creator"],"fr":["Creator"],"pl":["Twórca"]},"value":{"pl":["Czubińska, Małgorzata"]}},{"label":{"en":["Title"],"pl":["Tytuł"]},"value":{"fr":["Le texte théâtral et l\u2019autotraduction dans le contexte minoritaire de l\u2019Ouest du Canada"]}},{"label":{"en":["Resource Type"],"fr":["Type"],"pl":["Typ zasobu"]},"value":{"en":["text"],"pl":["tekst"]}},{"label":{"en":["Language"],"fr":["Language"],"pl":["Język"]},"value":{"en":["fre"],"fr":["fre"],"pl":["fre"],"universal":["fre"]}},{"label":{"en":["Identifier"],"fr":["Identifier"],"pl":["Identyfikator"]},"value":{}},{"label":{"en":["Place of publishing"],"fr":["Place of publishing"],"pl":["Miejsce wydania"]},"value":{"en":["Wrocław"],"fr":["Wrocław"],"pl":["Wrocław"],"universal":["Wrocław"]}},{"label":{"en":["Group publication title"],"pl":["Tytuł publikacji grupowej"]},"value":{"en":["Academic Journal of Modern Philology"]}},{"label":{"en":["PLMET"],"fr":["PLMET"],"pl":["PLMET"]},"value":{"en":["https://docs.psnc.pl/spaces/FBCMETGUIDE/overview"],"fr":["https://docs.psnc.pl/spaces/FBCMETGUIDE/overview"],"pl":["https://docs.psnc.pl/spaces/FBCMETGUIDE/overview"],"universal":["https://docs.psnc.pl/spaces/FBCMETGUIDE/overview"]}},{"label":{"en":["Location of original object"],"fr":["Location of original object"],"pl":["Lokalizacja oryginału"]},"value":{"en":["College for Interdisciplinary Studies, University of Wrocław"],"pl":["Kolegium Międzydziedzinowych Studiów Indywidualnych, Uniwersytet Wrocławski"]}},{"label":{"en":["Abstract Language "],"fr":["Abstract Language "],"pl":["Język streszczenia"]},"value":{"en":["eng"],"fr":["eng"],"pl":["eng"],"universal":["eng"]}},{"label":{"en":["Detailed Type"],"fr":["Detailed Type"],"pl":["Szczegółowy typ zasobu"]},"value":{"en":["article"],"pl":["artykuł"]}}],"id":"https://repozytorium.uni.wroc.pl/manifest","label":{"fr":["Le texte théâtral et l\u2019autotraduction dans le contexte minoritaire de l\u2019Ouest du Canada"]},"type":"Manifest","@context":"http://iiif.io/api/presentation/3/context.json","items":[{"width":1600,"id":"https://repozytorium.uni.wroc.pl/canvas/page1","label":{"@none":["PDF/2_Czubińska.pdf"]},"type":"Canvas","items":[{"id":"https://repozytorium.uni.wroc.pl/annotation/page1","type":"AnnotationPage","items":[{"motivation":"painting","id":"https://repozytorium.uni.wroc.pl/annotation/page1/1","type":"Annotation","body":{"format":"application/pdf","id":"https://repozytorium.uni.wroc.pl/Content/140500/PDF/2_Czubińska.pdf","label":{"@none":["PDF/2_Czubińska.pdf"]},"type":"Text"},"target":"https://repozytorium.uni.wroc.pl/annotation/page1"}]}],"height":1200}]}